Gustav Klimt, Judith I, detail, 1901. © Belvedere, Vienna
In the Time of Klimt, The Vienna Secession | Pinacothèque de Paris
The Pinacothèque de Paris, in partnership with Arthemisia Group and 24 ORE Cultura – Gruppo 24 ORE, wishes to examine once again an essential aspect of Art Nouveau, which was developed in Vienna at the start of the 20th century under the name Secession. Gustav Klimt‘s part in the emerging of that movement is a major one. The artist’s talent and brio, from his precocious start to his excessive decorative effects, where gildings and the emerging expressionism are dominant, are the foundations of a new period, which flowered in Vienna at the turn of the century. That artistic movement is, in fact, at the origin of the birth, a few years later, of one of the major currents in modern art, Expressionism.
Gustav Klimt, Portrait de jeune fille de face, 1898. Private collection. © Belvedere, Vienna
The exhibition In the Time of Klimt, The Vienna Secession relates in detail that development in Viennese art from the end of the 19th century, beginning of the Viennese Secession, until the first years of Expressionism. The core of the exhibition is based on a selection of major works by Gustav Klimt, from his first years of studying until the major works of his golden age, like Judith I (1901) or the Beethoven Frieze, a monumental work, reconstituted to scale and shown for the very first time in France.
Josef Engelhart, Au restaurant du jardin, 1893. © Belvédère, Vienna
A group of rare documents regarding the artist’s life, his family and his brothers Ernst and Georg, who were also artists, with whom Gustav often collaborated, accompanies the visitor throughout the exhibition. A very particular attention is furthermore paid to the first years of the Secession and to the influence it exercides on the artist‘s formation through the major Viennese intellectuals, such as Carl Schuch, Tina Blau, Théodor Hörmann, Josef Engelhart, Max Kurzweil, who, just like him, spent time in Paris at that period. The exhibition shows important masterpieces from the Secession and from the Austrian vanguard, such as the first works by Egon Schiele and Oskar Kokoschka.
Gustav Klimt, The Beethoven Frieze, detail, 1902
A final section of the exhibition is devoted to Viennese art forms and to complex reconstructions of works and of rich historical documents, witnesses to the genesis and to the evolution of great artists and architects of that period, such as Adolf Loos, Josef Hoffmann and the Viennese Studio. The exhibition shows over 180 works taken from the collections of the Belvedere museum in Vienna, as well as from private collections. The curatorship of the exhibition is ensured by Alfred Weidinger, curator of the Belvedere museum in Vienna.