Above, Before & After at MCA | ITSLIQUID

Above, Before & After at MCA

Art | February 2, 2017 |

Above, Before & After at MCA_001
Image courtesy of MCA

Above, Before & After at MCA
Museum of Contemporary Art, Chicago
From 7 May 2016 to 16 April 2017

 

The artists featured in Above, Before & After manipulate form and space to explore the relationship between art and the viewer. Selected from the MCA’s collection, the works – rarely exhibited together – were created over the span of more than 60 years in response to diverse historical and social contexts. Collectively, however, these pieces prompt a larger conversation that asks viewers to consider that art objects often achieve their fullest value when viewers approach them from multiple angles.

 

Above, Before & After at MCA_002
Image courtesy of MCA

 

The exhibition’s mix of two- and three-dimensional works include the MCA’s newly acquired Edward Krasinski’s Interwencja (Intervention) (1983), as well as collection highlights by artists John Baldessari, Alexander Calder, Alfredo Jaar, John McCracken, Bruce Nauman, Lorna Simpson, and Takis.

 

Above, Before & After at MCA_003
Image courtesy of MCA

 

Whether explicitly political, as in Jaar’s sculpture, which draws upon histories of undocumented workers in the United States, or subtly expressed in Calder’s mobiles that activate color and line through their kinetic qualities, these works occupy spaces – imagined and real. When artists repurpose the doorframes, ceilings, and corners of the art museum, viewers are encouraged to question what they see – the artwork, the white walls, and the very ground they encounter.

 

more. mcachicago.org

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


Katharina Grosse. It Wasn’t Us

Art | August 4, 2020

Katharina Grosse’s paintings can appear anywhere: on a rubber boot, on an egg, on the crumpled folds of a cloth, along a railway line, on the beach, in snow, on a sculptural form, or across a façade and on the roof. Her large-scale works are multi-dimensional pictorial worlds in which splendid colours sweep across walls, ceilings, objects, and even entire buildings and landscapes. Central to Grosse’s artistic practice is this notion that painting takes place not just on canvas, but that it can also permeate every facet of our surroundings. For the exhibition "Katharina Grosse. It Wasn’t Us", the artist has transformed the Historic Hall of Hamburger Bahnhof – Museum für Gegenwart – Berlin, as well as the outdoor space behind the building, into an expansive painting which radically destabilises the existing order of the museum architecture. Read more


Fondazione Prada – “K”

Art | July 31, 2020

Fondazione Prada presents the exhibition “K” in its Milan venue from 21 February to 25 October 2020. This project, featuring Martin Kippenberger’s legendary artwork The Happy End of Franz Kafka’s “Amerika” accompanied by Orson Welles’ iconic film The Trial and Tangerine Dream’s late electronic album The Castle, is conceived by Udo Kittelmann as acoexisting trilogy. “K” is inspired by three uncompleted and seminal novels by Franz Kafka (1883-1924) - Amerika (America), Der Prozess (The Trial), and Das Schloss (The Castle) - posthumously published from 1925 to 1927. Read more


CALL FOR ARTISTS: CANVAS |…

Calls | July 29, 2020

CANVAS is an International Art Fair that will present collective and solo projects by leading and emerging international artists. ITSLIQUID Group, with an experience of more than 250 art exhibitions all around the world and twelve editions of international fairs, is proud to announce the debut of CANVAS - International Art Fair that will represent a forum for direct exchange of ideas and contacts between collectors, artists, photographers, designers and art professionals, featuring paintings, sculptures, photography art, installations, video art and live performance. Read more


PETRIT HALILAJ

Art | July 26, 2020

tensions in the region. Childhood memories steeped in the drama of war and refugee life recur throughout his art, which embraces themes like home, nation and cultural identity through a variety of media ranging from drawing and sculpture to video, installation and even writing. However, he does not proclaim a rupture between the personal and intimate and the historical and social, but instead perceives a relationship and continuity to be found in his intervention for the Palacio de Cristal. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!