DAMIEN HIRST: NATURAL HISTORY

DAMIEN HIRST: NATURAL HISTORY

Art | October 13, 2022 |

damien_hirst
Courtesy of Gagosian | Photo of Prudence Cuming Associates Ltd

Damien Hirst: Natural History
Gagosian, London
March 09, 2022 – Ongoing

Gagosian is pleased to present Natural History, the first-ever exhibition dedicated to Damien Hirst’s groundbreaking works employing formaldehyde. The exhibition- part of Hirst’s takeover of the Britannia Street gallery- will survey more than twenty of the most iconic examples, dating from 1991 to 2021. Bringing together more than twenty iconic examples spanning a thirty-year period. “I wanted a shark that’s big enough to eat you, and in a large enough amount of liquid so that you could imagine you were in there with it.” – Damien Hirst.

damien_hirst
Courtesy of Gagosian | Photo of Prudence Cuming Associates Ltd

Ever since he first exploded into the public consciousness in 1991 with “The Physical Impossibility of Death in the Mind of Someone Living”, a fourteen-foot tiger shark preserved in a tank of formaldehyde, Hirst has used the naturally occurring compound in many of his best-known works. Embodying his ongoing drive to bridge the gap between art and science, the Natural History series includes a variety of preserved animals, such as sheep, doves, a zebra, and even a “unicorn”-some of which are bisected, sliced into cross sections, or flayed. This exhibition, which features works spanning a thirty-year period, gathers many of these works together for the first time.

damien_hirst
Courtesy of Gagosian | Photo of Prudence Cuming Associates Ltd

Beginning with The Impossible Lovers (1991), a cabinet filled with glass jars containing preserved cow’s organs, Natural History also includes works incorporating sheep (I AM [1995]), fish (Saint Philip [2005] and Love Is Blind [2008]), calves (Cain and Abel [1994] and The Ascension [2003]), and, of course, sharks (Myth Explored, Explained, Exploded [1993], among others). On view as well are complex tableaux such as The Pursuit of Oblivion (2004), in which animal carcasses are joined by other objects including knives and a chain mail glove. As their titles and components suggest, these arrangements combine strikingly unexpected variations on religious iconography with investigations of phenomenological and psychological facts and events.

damien_hirst
Courtesy of Gagosian | Photo of Prudence Cuming Associates Ltd

Hirst’s use of formaldehyde allows him to present visceral, often disturbing objects in a knowingly cool, clinical style, adapting formal devices identified with Minimalism to a meditation on life and death, fact and faith. The heavy frames of the sculptures’ tanks have been a feature of his work since the 1990s in artworks such as A Hundred Years and A Thousand Years (both 1990). Hirst’s vitrines are rooted in the fear of fragility, and in a consequent desire to isolate and protect. Yet ultimately, far from proposing formaldehyde as an effective medium for preserving objects and the ideas they convey, Hirst concludes that the very idea of preservation is futile in the face of inevitable death.

more. www.gagosian.com

damien_hirst
Courtesy of Gagosian | Photo of Prudence Cuming Associates Ltd
damien_hirst
Courtesy of Gagosian | Photo of Prudence Cuming Associates Ltd

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below






    RELATED POSTS


    F.A.M.I.L.Y.

    Art | July 14, 2024

    Prada presents the exhibition "Miranda July: F.A.M.I.L.Y.", organized with the support of Fondazione Prada, at Prada Aoyama Tokyo from 9 May to 26 August 2024. Read more


    THE BODY AS MATTER: GIACOMETTI…

    Art | July 13, 2024

    Radical investigations of the human body and how we perceive it characterize the distinct sculptural practices of Giacometti, Nauman, and Picasso, who are widely regarded as defining figures of their respective generations. From the modernist preoccupation with the fragmented or disintegrated body typical of Picasso’s and Giacometti’s work to the postmodern expansion of sculpture into a range of environmental and anti-monumental forms exemplified by Nauman’s, this is the first exhibition to juxtapose sculptures by these three artists. Read more


    FEATURED ARTIST: JESSICA GUO

    Art | July 12, 2024

    Jessica Guo finds inspiration in the often-overlooked objects of everyday life, collecting and documenting items of mediocrity and triviality. Her work emphasizes the timeless elegance and enduring charm of these objects, creating a harmonious balance and peaceful moments. Read more


    PEACE CRYSTAL

    Art | July 7, 2024

    Artist Mariko Mori invites us to reflect on our shared humanity through Peace Crystal, a work that opened today in Venice in the garden of Palazzo Corner della Ca' Granda, company headquarters of Città Metropolitana, and is visible from the Grand Canal. Read more


    Sign up for our Newsletter.

    Enter your email to receive our latest updates!