Dior Autumn-Winter 2014/2015 haute couture | ITSLIQUID

Dior Autumn-Winter 2014/2015 haute couture

Fashion | September 9, 2014 |

Dior Autumn-Winter 2014/2015Image courtesy of Dior

Dior Autumn-Winter 2014/2015 haute couture

In the Autumn-Winter collection, Raf Simons, Artistic Director of Christian Dior, instigates an exploration of the past combined with ideas of a near future, to look for what it means to be modern in the contemporary haute couture world today. “I was interested in the process of finding something extremely modern, through something very historical; particularly through a juxtaposition of different themes,” explains Raf Simons.

Dior Autumn-Winter 2014/2015Image courtesy of Dior

Eschewing strict historical accuracy and embracing an amalgamation in the imagination, the collection is nevertheless split into eight distinctly different sections, each a variation on a theme. The historical sprawl of the collection spans influences from the 18th Century onwards; it takes in 18th Century French court attire of both sexes and similarly synthesises ideas from the uniforms of both cosmonauts and astronauts up until the present day – the astronaut is a symbol of exploration for Simons and flight a reoccurring leitmotif in the collection. The theme and variation structure proceeds as follows:

Dior Autumn-Winter 2014/2015Image courtesy of Dior

Robe a la Française: A variation on traditional dresses of the 18th Century; an amalgam of styles mostly worn with panniers, lightened with new tulle structures. Flight a la Française: Here the flight suit meets the traditional dress; bodices and embroidery transposed at times, zippers and silk taffeta utilised. 1910s Linear: Sinuous, long line coats with an Edwardian origin, travelling through history. Bodice meets Jacket: The transposing of technical details, employed at the service of structural form; bodices become skirts, jackets become blouses, smocking structures.

Dior Autumn-Winter 2014/2015Image courtesy of Dior

Justacorps and Gilets: Masculine “court coats” of the 18th Century adapted for the feminine form. 1920s Liberated: Loose, “flapperlines of the twenties reimagined in tour de force embroideries. Collar meets Bar: The Dior archive at its most abstract and geometric; pure volumes and shapes originating from 1950 are elaborated on, highlighting Christian Dior’s architectural purity of form. Techniques, Pleats and Systems: An approach to decoration where tradition and technology combine; traditional piping becomes indivisible from the systems of astronaut suiting.

more. www.dior.com

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