The Museum of Contemporary Art Chicago (MCA), Chicago
May 14 – October 02, 2022
The Museum of Contemporary Art Chicago (MCA) today announced that tickets for Forothermore, the first career-spanning retrospective of internationally renowned, Chicago-based artist Nick Cave, will go on sale on April 6. The most comprehensive survey of Cave’s work to date, the exhibition is curated by Naomi Beckwith, former Manilow Senior Curator, MCA Chicago, and will be on view at the MCA from May 14 to October 2, 2022.
The celebration continues with the ArtEdge: Celebrating Nick Cave gala on May 21 in the Roundhouse at the DuSable Museum of African American History, featuring a presentation of The Color Is, a performative fashion experience, featuring an 80-look production by Nick Cave and Jack Cave. Produced by the MCA, The Color Is is an experience based on the concept of freedom from limits and described as a couture-created body of work that is an amalgamation of cultures, times, and ideas, emancipating them from the limits of regular classifications. Gala tickets will be available alongside the exhibition on-sale, beginning April 6.
Running concurrently with Forothermore, Cave will also debut a new video projection for Art on theMART, the world’s largest permanent digital art projection, as part of its Summer 2022 programming. The to-be-titled work, along with Cave’s Drive-By-Remix (2017), will be shown twice nightly on theMART’s facade from May 6 through September 7, 2022. Following its tenure at the MCA, a reimagined version of Forothermore will travel to the Guggenheim in New York City for an exhibition opening on November 18, 2022, and is also curated by Naomi Beckwith, who currently serves as Deputy Director, and Jennifer and David Stockman Chief Curator, Guggenheim Museum.
“Nick Cave’s utopian vision and gift for magical material transformation is only matched by his generosity as a mentor, educator, and activist,” said Beckwith. “I am thrilled to see that the seeds that he planted in Chicago have flourished into a citywide celebration that not only honors his inspiring work but is a gift to his adopted hometown. Equally important is that audiences at the Guggenheim New York will also have the opportunity to experience a fulsome view of Nick’s artistic and life practice. Nick is an artist who allows all his audiences to celebrate, mourn, and learn with and from each other; a kind of social healing that is so necessary as the world contends with continued physical and political isolation.”
For over three decades, Cave has centered his artistic practice on community building and addressing pressing societal issues related to race, gender, sexuality and class. First coming to prominence with his acclaimed Soundsuits series, Cave is celebrated for his projects that eloquently blend community building with vibrant works of art across disciplines, including immersive installations, textural sculptures, and impeccably crafted fashions, and dynamic videos and performances. In addition to being an artist, Cave is also a prominent activist and educator – qualities that make his work a true representation of the MCA’s mission says the museum’s Pritzker Director, Madeleine Grynsztejn.
“The MCA has committed itself to present local Chicago artists whose works elevate the global discourse surrounding contemporary art and social practice, including, among others, Kerry James Marshall, Virgil Abloh, and now Nick Cave,” said Grynsztejn. “This recent history of curatorial programming is not only indicative of this institution’s ongoing efforts to surface the critical art histories being formed within Chicago but also serves as a testament to this city’s vibrant ecosystem of artists, galleries, universities, and museums that have supported such a thriving artist community.”
Reflecting the artist’s three-dimensional approach, the exhibition is designed as an immersive journey that begins with Spinner Forest and continues in the galleries with the artist’s cast bronze sculptures, tapestries made of sequined garments, color-saturated videos, and breath-taking installations such as the larger-than-life Beaded Cliff Wall that is comprised of millions of colorful pony beads threaded into shoelaces by hand. Displayed against a backdrop of floor-to-ceiling geometric vinyl wallpaper collaboratively designed with the artist’s partner Bob Faust, Forothermore traces artistic themes and Cave’s evolving interests over three decades, with works from as early as 1989.
Forothermore features over a dozen work from Cave’s Soundsuit series in addition to the debut of his new series, Soundsuits 9:29. The head-to-toe garments are constructed with a mélange of materials, among them beads, pearls, wire, feathers, sequins, synthetic hair, and twigs. Originally created by Cave in response to the Rodney King beating in 1992, Soundsuits 9:29 addresses today’s heightened social unrest and reckoning for racial justice in response to the death of George Floyd. Another highlight of the exhibition is Cave’s immersive 14-channel, room-sized video installation Hy-Dyve, which is presented in the adjacent fourth-floor gallery and surrounds visitors with projections of flowing water, blinking eyes, and mysterious creatures and patterns. Forothermore also includes Cave’s recent series of sculptures of carved and cast bronze hands, heads, and limbs decorated with flowers, candles, and found objects such as used shotgun shells.