Interview: Claudio Koporossy
Luca Curci talks with Claudio Koporossy during THE BODY LANGUAGE 2025 at Palazzo Albrizzi-Capello in Venice.

Claudio Koporossy, a Swiss-Italian born in Lausanne, initially pursued engineering studies at ETH Zurich despite an early passion for fine art. At 15, a gift of a Nikon camera sparked a lifelong love for photography, becoming the central focus of his life. For over a decade, Koporossy has immersed himself in the theme of water, exploring its diverse facets. His international exhibitions include “Dell’Acqua” in Rome (2018), “Acqua Russa” in St. Petersburg (2019), and “Alahambra” in Trento (2022), curated by Tahar Ben Jelloun. The pandemic led him to find solace in the Swiss mountains, inspiring exhibitions like “La Magnifica Ossessione” (2020) and “Invisibilia” (2021). 

Recent exhibits include “Alma” in Palermo (2022), “Acqua di Rose” in Bologna (2022), and “Ripples & Reflections” in Las Vegas (2023). Koporossy’s talent lies in capturing the essence of water, making him a notable figure in contemporary photography. His work transcends boundaries, offering a profound visual exploration of this elemental force. 

Luca Curci – According to you, what makes a good photo? Which details do you focus on?
Claudio Koropossy – Answering this question is quite complex. The subject is, of course, crucial – capturing a stunning landscape or a beautiful person naturally makes things easier. However, I always keep in mind the famous words of Elliott Erwitt: “Photography is an art of observation. It has little to do with the things you see and everything to do with the way you see them.” This reminds me that the subject itself is not everything; the way it is perceived and framed truly makes the difference. For me, composition and balance are fundamental in any photograph. In my Water Natures series, I begin by carefully selecting the objects, flowers, and backgrounds to create a harmonious composition. Once everything is in place, I introduce movement to the water, adjusting it according to the degree of abstraction I wish to achieve. Finally, I focus on refining the lighting and framing to capture the image at its most captivating moment. 

LC- How important is the editing process in your work? How’s yours?
CK – I do very minimal editing on my photographs, as I aim to keep them as natural as possible. My process mainly involves subtle adjustments to contrast and brightness, as well as removing minor distractions like small sunspots that might interfere with the composition. The key to a successful image lies in choosing the right location and harnessing the best light – preferably natural sunlight that is neither too harsh nor too dim. I particularly favour early morning light because of its softness and ability to enhance delicate colour transitions.

LC – Do visitors’ suggestions enrich you and your art?
CK – Absolutely. Feedback, whether from visitors, fellow artists, or critics, is always enriching. Just as in life, where we continuously learn from our experiences and interactions, art thrives on this dynamic exchange. Every comment, question, or perspective adds another layer to my understanding, allowing me to see my own work in new ways. It’s a process of constant evolution – what truly matters is how one absorbs and processes the vast amount of input received over time. 

LC – What is the most challenging part of creating your artwork?
CK – There are multiple challenges at different stages. In Water Natures, the first hurdle is conceptualising and assembling the right composition, as I often work with objects, flowers, and textures in water. Lighting – particularly natural sunlight – is essential, yet finding the perfect conditions and locations can be tricky. Each photograph presents its own set of challenges, and I believe it’s impossible to generalise. Every image is unique and demands a fresh approach to bring out its best qualities.

LC – How is your creative process?
CK – My creative process varies depending on the subject. Primarily, I focus on photographing water – whether in fountains or in my Water Natures compositions. I am particularly fascinated by the movement and shapes that water takes at high speed. In fountains, my challenge is to capture those fleeting, dynamic forms that occur in an instant. In Water Natures, composition is key: I arrange elements within water, carefully introducing motion to achieve the desired effect. The interplay of water, light, and objects is what makes the process so compelling. 

LC – What do you think about the concept of this exhibition? How did it inspire you?
CK – I found the exhibition concept truly engaging and well-executed. The atmosphere was welcoming, stimulating, and professionally organised. I particularly appreciated how the event included interactive elements to keep visitors engaged. Too often, exhibition openings feel static, with attendees wandering like passive observers. Here, the approach was much more dynamic, encouraging active participation and genuine interaction with the artworks. 

LC – Can you explain something about the artworks you have in our exhibition?
CK – I exhibited five pieces from my Water Natures series, each one a carefully crafted composition of objects, flowers, and water in motion. My goal is to highlight the transformative nature of water, not just as a passive element but as an active force in shaping the final image. Water is not merely a backdrop; it plays a vital role in the artistic process. In this sense, I see myself as a director, orchestrating the movement and interaction of water with the objects to achieve the desired visual impact. Technological advancements in photography have also been crucial; years ago, capturing these intricate effects would have been nearly impossible. 

LC – What do you think about ITSLIQUID Platform?
CK – I was very pleasantly surprised by ITSLIQUID. Your team is highly professional and manages events with great efficiency. The level of organisation and attention to detail was impressive, creating an experience that felt seamless for both artists and visitors. Having organised events myself in a different field, I know firsthand how essential proper planning and management are to ensure success. 

LC – Would you suggest a collaboration with us? What do you think about our services?
CK – Why not? I am currently considering exhibiting with ITSLIQUID, in Barcelona and checking my schedule to see if I can fit it in. As I mentioned earlier, I was highly impressed by the level of professionalism and organisation, so I would certainly be open to participating in future events with you.