Interview: Crissy Oakfield | ITSLIQUID

Interview: Crissy Oakfield

Interviews | March 24, 2019 |

Interview: Crissy OakfieldImage courtesy of Crissy Oakfield

Interview: Crissy Oakfield

Luca Curci talks with Crissy Oakfield during CONTEMPORARY VENICE 2018 at THE ROOM Contemporary Art Space.

Cristina Coward had a successful career as an insurance and legal professional in the financial services industry in London (Oil and Gas Sectors) that spanned for over 20 years. She was later involved in clean energy as an insurance broker and underwriter (a transition from the fossil fuels industry) to the renewable energy sector. More recently, she has been acting as an advocate for environmentally friendly and sustainable forms of development by taking part in “think-tanks” such as the Chatham House, in London. Cristina has a profound interest in nature and its protection, and for this reason, she likes to draw and paint flowers, birds, endangered animal species such as lions, tigers and sea life, not to mention coastal scenes. She also appreciates architecture in general and her Artwork includes city streets scenes and building structures. Cristina is a new Artist. Living in Paris for six months in 2017 led her to rediscover and to develop her drawing and painting skills which had been dormant since childhood: “Paris has truly inspired me to draw and paint. It is an amazing city in all its splendor“. Crayon, charcoal, pastels and watercolour are her principal mediums. She also has an interest in photography and the arts in general. Currently, she is in the process of designing her own fashion brand that will incorporate sustainable materials with the use of environmentally friendly fabrics and prints designed by Cristina herself.

Interview: Crissy OakfieldImage courtesy of Crissy Oakfield

Luca Curci – What’s your background?
Crissy Oakfield – I had a successful career as an insurance and legal professional in the financial services industry in London for over 20 years (Oil and Gas sectors). I was later involved in broking and underwriting renewable risks which represented a career transition from attending to the fossil fuels industry to clean energy.

LC – What is the experience that has influenced your work the most?
CO – Since my shift to clean energy as an insurance underwriter and also my participation in talks and academic and think tank forums on plastic pollution of the oceans and sustainable fashion methods, I became aware of the crucial importance of protecting our Earth from certain practices that are causing harm to the environment and destroying biodiversity. My work takes inspiration on the suffering of the animals in particular as a result of mass production and mass consumption by societies. So my drawings and paintings mostly reflect the species that are endangered or near extinction and I contribute to related charities. The other source of inspiration I have is architectural. I love cities, particularly those with Art Nouveau structures and features. My Art work also tends to depict Parisian rooftops and people from the Belle Epoque time in general, including the fashion of the late 19th and early 20th centuries.

LC – What are you currently working on?
CO – I am currently working on drawings of ancient Parisian streets.

LC – What is the most challenging part about creating your artworks?
CO – It is particularly when I draw the past, as I need to work with old photographs for inspiration and learn the history behind the images. As these images are in black and white, unless I am taking the photos of the places I visit, I need to set my mind to travel back in time, placing myself as if I were part of that moment in reality. This enables me to put my perception into that moment and I use the colours that I imagine would best describe it. The final work then feels as it was based on today and not in the past. It the conditioning of the mind to travel back in time that is most challenging to me.

Interview: Crissy OakfieldImage courtesy of Crissy Oakfield

LC – Which subject are you working on?
CO – Paris in 1900 with the Universal Exhibition. I am studying about the most famous artists and artisans of that time for additional inspiration.

LC – What is your creative process like?
CO – I place myself in the scenario of my subjects. I feel as if I am living in or visiting those places. With the animals that I paint, I look through their eyes to see how they feel. I can see the sadness in their eyes for being separated from their natural habitats due to illegal trading, or caused by threat of extinction as a result of pollution and unsustainable mass production. I paint how they feel in protest to that.

LC – Which art themes do you pursue?
CO – My Art themes are mostly the architectural and decoration features of old cities especially in the Art Nouveau period, including fashion habits, but also nature, as a way of demonstrating the need for an environmentally friendly collective consciousness at global level to achieve more sustainable and non polluting levels of development, thus protecting the biodiversity and creating a healthier society as a result.

Interview: Crissy OakfieldImage courtesy of Crissy Oakfield

LC – What is your preferred subject, if there is any?
CO – Again, this was answered in the previous question. My preferred subjects are in one hand old cities such as Paris, the Art Nouveau movement, including architectural and fashion features, and on the other hand, the protection of the environment and biodiversity.

LC – Do you agree with our vision of art and what do you think about the theme of the festival?
CO – As I understand it there are different themes depending on which exhibition the artist participates in. The one I took part was “Cities and Identities” and I thought it was a good theme.

LC – Do you think ITSLIQUID GROUP can represent an opportunity for artists?
CO – Most definitely. It offers a great opportunity to get involved in the Art world among other professionals coming from different backgrounds and sides of the planet. There is also a demonstration of the great variety of styles among the participating artists which makes the exhibitions a great platform for getting the work shown and the message the artists are trying to send across.

Interview: Crissy OakfieldImage courtesy of Crissy Oakfield

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to or fill the form below


Katharina Grosse. It Wasn’t Us

Art | August 4, 2020

Katharina Grosse’s paintings can appear anywhere: on a rubber boot, on an egg, on the crumpled folds of a cloth, along a railway line, on the beach, in snow, on a sculptural form, or across a façade and on the roof. Her large-scale works are multi-dimensional pictorial worlds in which splendid colours sweep across walls, ceilings, objects, and even entire buildings and landscapes. Central to Grosse’s artistic practice is this notion that painting takes place not just on canvas, but that it can also permeate every facet of our surroundings. For the exhibition "Katharina Grosse. It Wasn’t Us", the artist has transformed the Historic Hall of Hamburger Bahnhof – Museum für Gegenwart – Berlin, as well as the outdoor space behind the building, into an expansive painting which radically destabilises the existing order of the museum architecture. Read more

Fondazione Prada – “K”

Art | July 31, 2020

Fondazione Prada presents the exhibition “K” in its Milan venue from 21 February to 25 October 2020. This project, featuring Martin Kippenberger’s legendary artwork The Happy End of Franz Kafka’s “Amerika” accompanied by Orson Welles’ iconic film The Trial and Tangerine Dream’s late electronic album The Castle, is conceived by Udo Kittelmann as acoexisting trilogy. “K” is inspired by three uncompleted and seminal novels by Franz Kafka (1883-1924) - Amerika (America), Der Prozess (The Trial), and Das Schloss (The Castle) - posthumously published from 1925 to 1927. Read more


Calls | July 29, 2020

CANVAS is an International Art Fair that will present collective and solo projects by leading and emerging international artists. ITSLIQUID Group, with an experience of more than 250 art exhibitions all around the world and twelve editions of international fairs, is proud to announce the debut of CANVAS - International Art Fair that will represent a forum for direct exchange of ideas and contacts between collectors, artists, photographers, designers and art professionals, featuring paintings, sculptures, photography art, installations, video art and live performance. Read more


Art | July 26, 2020

tensions in the region. Childhood memories steeped in the drama of war and refugee life recur throughout his art, which embraces themes like home, nation and cultural identity through a variety of media ranging from drawing and sculpture to video, installation and even writing. However, he does not proclaim a rupture between the personal and intimate and the historical and social, but instead perceives a relationship and continuity to be found in his intervention for the Palacio de Cristal. Read more

Sign up for our Newsletter.

Enter your email to receive our latest updates!