Interview: Erik Eggermont
Luca Curci talks with Erik Eggermont during BODYSPACES, the first appointment of CANVAS INTERNATIONAL ART FAIR 2024 at Palazzo Albrizzi-Capello in Venice.

Erik Eggermont delves into street, urban, and architectural photography, inspired by a fascination towards urban life, artistically arranging what is commonly discarded by cities -colours, trash- into compelling narratives. His work emanates an understanding of what escapes daily observers, provoking contemplation of ignored surroundings. As an artist I seek out these elements the city throws away, all it despises. Like a forlorn treasure room. To reshape it to gratifying beauty from between the jaws of the gods of industry. Professional photographer specialising in urban and architectural photography. Born and raised in Antwerp, Belgium.

Luca Curci – According to you, what makes a good photo? Which details do you focus on?
Erik Eggermont – For me, art is a form of connection and communication. A photograph should be more than a mere representation of reality – it should tell a story. I focus on capturing elements that offer insights beyond what meets the eye, translating them into my unique perspective of the world.

LC – When did you realise that photography could also be a life lens?
EE – I discovered my talent for photography in my late thirties, and everything happened pretty fast. It was when I was selected for an exhibition in Tacheles Berlin in 2009 that I knew it would be a part of who I am and how I view the world.

LC – How is being an artist nowadays?
EE – In today’s complex world, being an artist holds both challenges and significance. Amidst the aftermath of the Covid pandemic, the ongoing conflicts in Ukraine and Israel/Palestine, the pressing issue of climate change, and socio-political instability worldwide, the role of an artist is critical. I firmly believe that artists have the power to foster connections and facilitate healing by offering a unique perspective on beauty and reality, diverging from the mainstream narrative.

LC – What do you think about the concept of this exhibition? How did it inspire you?
EE – It’s fascinating to delve into the narrative of Bodyspaces, drawing inspiration from abandoned places and their overlooked beauty. These spaces, often dismissed as macroscopic trash, are intertwined with our intrinsic reality. The way we perceive our bodies mirrors how we perceive our surroundings.

LC – Do you agree with our vision of art and what do you think about the theme of the exhibition?
EE – I believe that the vision of art is intricately connected to the diverse themes presented by ITSLIQUID GROUP. It is evident that you challenge artists through these themes, fostering creativity and pushing boundaries. Contemplating the movements in the world is crucial for art creation, and these themes provide an inspiring avenue to achieve just that. Art truly thrives when fueled by such thought-provoking themes.

LC – What is your idea about ITSLIQUID GROUP?
EE – The concept of ITSLIQUID GROUP is crucial for fostering collaboration and inspiration between galleries and artists at major events and venues. This framework allows galleries to mitigate financial risks while offering artists increased opportunities for international exposure.