Interview: Oskar Derych
Luca Curci talks with Oskar Derych during the 13th edition of CONTEMPORARY VENICE 2023, at Palazzo Albrizzi-Capello.

I do subconscious cartography, sculpt urography and visual art. I believe that the way I see transforms the ordinary into the extraordinary. I create surreal portraits, objects and insane scenes that are in form and subject are unique. I am devoted to searching for and discovering imperfections, connections and transgression as the perfect form of artistic expression. Strangeness and imperfection are the enemy of unnatural contemporary perfection in photography, I see myself as an ally of the extraordinary and an advocate of uniqueness. My goal of subconscious artography is to produce authentic and raw images that reflect my and even observer inner thoughts, emotions, and perceptions. For me, it is a powerful tool for self-expression, storytelling, and what is most importantly a dialogue with the viewer. In a world often bound by artistic conventions, I revel in the unconventional. I fuse fine art photography with experimental techniques, creating visual symphonies that defy categorization. I see my art as a testament to the power of fusion. I seamlessly blend the classical elegance of painting, the raw authenticity of street photography, the mystique of cinematic storytelling, and the cutting-edge capabilities of digital manipulation. Each composition is a delicate balance of tradition and innovation, echoing the whispers of artistic legends while embracing the future’s infinite possibilities.

Luca Curci – How did you get into photography? Do you remember why you took your first professional photo?
Oskar Derych – The first photo I took, like most kids, was probably during childhood. There was a tradition in Poland where, for the First Holy Communion, you’d receive either a bike or a camera as a gift. I got both. Lucky me, so I hopped on the bike with the camera. After that, photography and the camera stayed far away from me for over 45 years. I delved into painting, graphics, art history, and professional branding strategy for worldwide advertising agencies. A few years ago, I lost everything – my home, family, job, all my possessions. I fell into a severe depression, and photography became a way to pass the time and a form of therapy for me I reached for the camera again and started doing street photography. I don’t consider myself a professional photographer, so I don’t think I’ve taken any professional photos yet. I do artography more than pure photography.

LC – According to you, what makes a good photo? Which details do you focus on?
OD – A good photograph is one that lingers within us, creating an impression that lasts – a beginning rather than an end to a story. In my artworks, I focus not just on obvious elements but also on them depending on the subject and style of work. I have a series on nudity where the emphasis is on the detachment of the place rather than the figure, aiming to avoid vulgarity. Generally, I highlight elements that exist beyond the main subject of the photo.

LC – Which art themes do you pursue? What is your preferred subject, if there is any?
OD – I am interested in transgression iconology and symbolism. I do subconscious and surreal cartography. I believe that the way I see transforms ordinary into extraordinary I shoot surreal portraits, objects and insane scenes that are in form and subject are unique. I am devoted to searching for and discovering imperfections, connections and transgression as the perfect form of artistic expression. Strangeness and imperfection are the enemy of unnatural contemporary perfection in photography, I see myself as an ally of the extraordinary and an advocate of uniqueness.

LC – Did your style change over the years? In which way?
OD – Indeed, I started with classical street photography and currently I create orthographies. Visual artworks that are surreal in every sense.

LC – What do you think about art on social media? Are they turning into the new showcases of contemporary art?
OD – The phenomenon of social media is, on the one hand, fascinating and has an incredible influence on our perception of the world, which is good. On the other hand, being associated with superficiality and the speed of consumption brings certain dangers. Quality is replaced by quantity. Yes, they become a kind of easily accessible gallery, but still, nothing can replace listening to live music and experiencing art in an ‘analogue’ way – personally.

LC – Can you explain something about the artworks you have in our exhibition?
OD – I show one from a series of artistic works aiming to portray the metamorphosis of the human body through the lens of surrealist visions and inspiration drawn from ancient cultural patterns constitutes a fascinating journey into the depths of human imagination and history. Through mysticism and extraordinary creativity, this cycle of artistic works sets out not only to depict the transformation of the body but also to showcase the transcendence of human experience within the context of mythology, symbolism, and archetypes deeply rooted in ancient culture. Immersing into surrealistic interpretations of the human form, these works invite the viewer to reflect upon timeless themes of transformation, rebirth, and the enigma of human existence.

LC – What do you think about the concept of this exhibition? How did it inspire you?
OD – The concept of the exhibition, especially the theme of the task and the way it’s explained, is great. The interestingly presented task triggers a creative approach to its realisation. Importantly, it’s not mundane and allows for highly individual interpretations, which in my opinion is crucial. At the same time, it introduces certain limitations – something that can be seen as a great principle of ‘give me the freedom of tight brief.’ Additionally, the cooperation with you and the artist service is very good.

LC – What do you think about ITSLIQUID Platform?
OD – The platform’s idea is great, unlocking possibilities for artists but not only for them, also for potential enthusiasts. The cooperation with various other institutions that you conduct is exceptionally important for artists in their promotion and the dissemination of contemporary and modern art. I believe it’s an excellent platform and, furthermore, very well managed.