Interview: Sandrine Langlade | ITSLIQUID

Interview: Sandrine Langlade

Interviews | September 19, 2017 |

Interview: Sandrine Langlade
Image courtesy of Sandrine Langlade

Interview: Sandrine Langlade

Luca Curci talks with the artist Sandrine Langlade during CONSCIOUSNESS of ANIMA MUNDI festival 2017 in VENICE.

Sandrine Langlade is a French artist living in the Netherlands. She has been painting since her childhood in Reunion Island, Indian Ocean. Over the past 12 years, she has been exhibiting her paintings in Europe, Brazil and the United-States.
Her artistic influences are various, crossing abstract art, fauvism, surrealism and her very particular own style. Her work is an explosion of bright colours, with geometrical truncated shapes, asymmetrical, sometimes figurative.
Her creative process is very intimate: at first, she lets her brush rule, enclosing feelings, sensations and emotions in the canvas. Then, her consciousness comes to build the composition of the artwork. At the end of the process, some recognizable figures might appear… or not! Because what she most likes is allowing the public to wander from her artworks, drift and get lost in it. Her inspiration comes from current life: she lives everything with passion, feeling 200% of the emotions and sensations. The rest comes from studying, learning, and being more and more able to answer to the core question in her work: “how do I translate what I experiment and feel into impactful art pieces?” Emotions are what really feed her work. Two recurrent subjects emphasize her pictorial style: nature / universe and femininity.

 

Interview: Sandrine LangladeImage courtesy of Sandrine Langlade

 

Luca Curci – What is your creative process like?

Sandrine Langlade – Painting makes me feel complete. Accomplished. I do not “make” art. I “live” it. Therefore, in each of my paintings, there is a bit of myself: my character, my emotions, my being. When I start working on a canvas, I put all those feelings on it, without thinking too much. After this crucial step, I care about the global construction and shapes. Nothing is calculated in advance. Absolutely no premeditation. I let my paintbrush -my heart- dominate my mind. Colors and shapes come to figure something recognizable only in a second step, when my heart and my mind play together, to bring the final touch. Thus my creative process is very intimate. At first, the brush rules, enclosing feelings, sensations and emotions in the canvas. Then, my consciousness comes to give the final composition to the artwork. At the end of the process, some recognizable figures might appear… or not! Because what I most like is allowing the public to wander from my artworks, drift and get lost in it. I content with suggesting; up to the public to imagine the rest. In a way, fair is fair. I paint with my heart, my emotions and my mind… so I hope my public uses the same means to come into my canvas and, if possible, dream, travel from it, float and go adrift, very far away, see new perspectives, feel lost and serene, peaceful, and appreciate those sensations.

 Interview: Sandrine LangladeImage courtesy of Sandrine Langlade

 

L.C. – Has the artwork presented been created for the festival or as a part of preexisting works?

S.L.   The artworks presented were selected by the curator from an existing collection initiated in early 2017 and closely linked to the notion of consciousness.

 

L.C. – Please tell me what are you working at right now…

S.L.  The conscious part of my brain is working at bringing the final touch to a canvas painted with my heart. Trust the process is not that easy! 

 

Interview: Sandrine LangladeImage courtesy of Sandrine Langlade

 

L.C. – What is art for you?

S.L. – To me, art is a way to express an authentic and unique intimate vision of the world. The artist sees the world through a particular eye and then returns his very personal vision of it. The result is an artpiece that offers to the public a new way of seeing the world all around, thinking about and questionning it. As a matter of fact, art opens new paths, allows the opening of new doors -even windows- to see reality. I believe that the capacity of an artwork to affect some people may be a consequence of the way those new paths are expressed in it. Depending on the colors and shapes, how they are organized, what they refer to and how they sound to
you personally, you can feel deeply touched. This is art.

 

Interview: Sandrine LangladeImage courtesy of Sandrine Langlade

 

L.C. – What’s your background? What is the experience that has influenced your work the most?

S.L. – Living everything with passion and feeling 200% of the emotions is my first source of inspiration. So natural and recurrent for me. The rest comes from studying, learning, and being more and more able to answer to the core question in my work: how to translate what I can see and feel into impactful art pieces. Emotions are what really feed my work. There is not one experience in particular. To me, every single feeling or event is worth becoming the starting point for a great masterpiece.

 

Interview: Sandrine LangladeImage courtesy of Sandrine Langlade

 

L.C. – What do you think about It’s LIQUID Platform?

S.L. – I consider this platform as a perfect media to share art and discuss its very specific stakes. Both useful and pleasant for the artistic community. Thank you for having created it and for managing it day after day!

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


BOCHNER BOETTI FONTANA

Art | September 23, 2020

Curated by Mel Bochner in collaboration with Magazzino Italian Art, This Special Exhibition Examines Parallel Artistic Movements in the 1960s and 1970s in the U.S. and Italy through the artwork of Bochner, Alighiero Boetti, and Lucio Fontana. Cold Spring, NY – August 24, 2020 – This fall, Magazzino Italian Art opens a special exhibition examining the formal, conceptual, and procedural affinities in the work of Mel Bochner, Alighiero Boetti, and Lucio Fontana. Curated by Bochner in collaboration with Magazzino, the exhibition marks the first presentation to consider the American artist’s extensive, yet overlooked, engagement with the practices of Fontana and Boetti, as well as with Italian art at large. Bochner Boetti Fontana offers, through the artist’s perspective, a number of resonances between his work and that of the Italian and Italian-Argentine artists: an exploration of systems, language, and materials; and a sense of irony and humor, often and especially shared by Arte Povera and Conceptualism, as all these works opened the work of art onto the space of display. Read more


INTERVIEW: ROSWITHA KLOTZ

Interviews | September 20, 2020

Roswitha Klotz is a visual artist and musician living in Regensburg, Germany. From an early age, she turned to painting and music and was successful in both disciplines. After graduating from high school, she first studied music and musicology in Munich, then art and art history. Her path took her from Bad Kissingen to Munich and Regensburg, to Belgium and Austria, to the USA, Italy, Portugal, Switzerland and the Czech Republic. Read more


UNTITLED, 2020. THREE PERSPECTIVES ON…

Art | September 20, 2020

Punta della Dogana presents the collective exhibition 'Untitled, 2020. Three perspectives on the art of the present', conceived and curated by Caroline Bourgeois, artist and art historian Muna El Fituri and artist Thomas Houseago. Conceived specifically for the spaces of Punta della Dogana, ‘Untitled, 2020. Three perspectives on the art of the present’ is the fruit of discussion and dialogue between the three curators, who are linked by longstanding personal and professional relationships. Read more


Interview: Lidea Hajjar

Interviews | September 19, 2020

Mother of four young men, Lidea M. Hajjar, from the Land of Cedars, a tiny spot on the world map, yet Lebanon is mentioned more than 70 times in the Holy Book. Faith and experiences shaped her multidimensional personality, translated in her ambitions, generosity, thoughtfulness, and passion. Pleasantly calm, she fights for what she desires with the belief that great things don’t come easily. Full- time learner, motivated by her love for everything around her, because she says we are part of the universe and we have plenty of resources. She got her degree in Interior Architecture with honours from the Lebanese American University along with her two elder boys, and another degree in psychology from Lebanese University. She speaks 5 languages and the sixth being a universal one, Art, became her greatest language. She designs her projects, plays guitar, dances, and paints with her body, mind, and soul. And in her Ted talk about Architecture and Tango, Lidea stated that everything is correlated, and every work should be done passionately. For years, her little free time occupation was painting, using different techniques and mediums. But fell lately for the acrylic abstracts, where she finds her hand wandering over the canvas, evoking lots of her emotions, and emanating unlimited expressions, especially in a style of her own she called ‘Limitless Limit’. Her goal is having lovers for her paintings more than clients, she wants her paintings owners to fall for them every day. Self-taught painter, based on the discipline of architecture, the limitations and constraints are her opportunities to design and paint. Eco-friendly artists and engineers are a must for our planet. Rules and norms are her challenge to create. Flexibility is mandatory. Criticism and new approaches are cuddled. She is enrolling in a realism workshop to add skills to her skillset. For Lidea the ''Sky is the Limit''. Through her passion for Life, she enjoys nature, reading, music, dance, yoga, walking her pets, and the most importantly spending time with her beloved ones and eating chocolate. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!