INTERVIEW: TYLER CALKIN | ITSLIQUID

INTERVIEW: TYLER CALKIN

Interviews | March 1, 2020 |

Interview Tyler Calkin
Image courtesy of Tyler Calkin

Interview: Tyler Calkin
Luca Curci talks with Tyler Calkin during THE BODY LANGUAGE at PALAZZO CA’ ZANARDI and at THE ROOM Contemporary Art Space.

Tyler Calkin is an interdisciplinary artist and educator who examines the interactions between social experience and technology. He uses gameplay and performance in a digital context to both design and critique virtual and augmented reality, digital fabrication, and moving image work. His work has been exhibited and performed across the US and in the UK, Germany, Mexico, Nepal, China, and South Korea. He received his MFA from California Institute of the Arts and is currently Assistant Professor of Art and Area Head of Digital Media at University of Nevada, Reno.

Interview Tyler Calkin
Image courtesy of Tyler Calkin

Luca Curci – What is art for you?
Tyler Calkin – For me, art is about asking questions. I start with an observation or a curiosity. Then I create a visual experiment to either answer a question or, ideally, arrive at a deeper one.

LC – What are you currently working on?
TC – I am currently collaborating with a choreographer and composer to explore the translation of social gestures into other forms using motion capture data analysis, 3D printing, performance, and electronic sound.

Interview Tyler Calkin
Image courtesy of Tyler Calkin

LC – Where do you find your inspiration?
TC – I pay attention to how we use our bodies when we interact with other people and with technology. I am interested in how these social interactions morph and shift when we hold screens in our hands and our pockets.

LC – Did your style change over the years? In which way?
TC – Several years ago I began making sculptures from objects designed to fit the human body such as gloves, helmets, and even mouth guards. I was interested in how we shape our material environment to fit us, and how this material environment changes how we behave. As my work has evolved, I have begun to create forms – both sculptural and digital – directly from the human body and its movements. Throughout, my aesthetic has largely remained colorful and, I hope, visually approachable. Social interactions and physical intimacy can be uncomfortable subject matter, and I use bright colors, humor, and playfulness to invite viewers in.

LC – Do visitors’ suggestions enrich yourself and your art?
TC – My work is often made in direct response to or collaboration with others. In my performative work, I use surveys and collect visitor feedback to create archival documents and inform the work’s future iterations. I also utilize my own social networks in a sort of reverse data mining to create artworks that illustrate the digital relationships I have with those around me.

Interview Tyler Calkin
Image courtesy of Tyler Calkin

LC – What is the message linked to the artwork you have shown in this exhibition? How is it connected to the theme of the entire festival?
TC – Digital Manual Movements consists of two videos that explore bodies communicating and miscommunicating. The videos deal with the translation of a foreign language into body language and the conversion of physical gestures to digital artifacts. In both cases, the human body performs social actions; in A Transliterated Intimate Mechanics Tutorial these actions follow the faulty directions of Google Translate, while in Micro Gesture Party Mix they are natural movements recorded from volunteers and represented as colorful, animated geometric forms. Beneath both works is an appeal to the value of the human body as a way to speak to others. This body language changes when technology intervenes, and by highlighting and exaggerating these changes I hope to turn attention to our contemporary situation.

LC – What do you think about the concept of this festival? In which way did it inspire you?
TC – Body language is a complex theme. Both verbal and nonverbal languages are communicated through the body, and the body itself also has its own subconscious vocabulary. This festival was an opportunity to take two specific works that I had exhibited previously, and find connections between their concepts and visual qualities. Ultimately, I arrived at the act of tracing lines through space as a central unifying concept.

LC – What is your idea about ITSLIQUID Group?
TC – The art venue as a networked communication platform is a very contemporary vision. ITSLIQUID Group is helping to connect international artists and audiences, and increasing accessibility in the arts is a valuable mission. I also appreciate the metaphor of liquid, saturating art discourse and visual culture and connecting locations in a shared medium.

LC – Did you enjoy cooperating with us?
TC – I certainly enjoyed learning about this festival and becoming a part of your exhibition platform alongside such a diverse, international group of artists.

Interview Tyler Calkin
Image courtesy of Tyler Calkin
Interview Tyler Calkin
Image courtesy of Tyler Calkin
Interview Tyler Calkin
Image courtesy of Tyler Calkin

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


INTERVIEW: GAIL SO

Interviews | October 22, 2020

After having finished her studies in the UK, Gail decided to return to Hong Kong, and had recently graduated from her B.F.A photography degree in Savannah College of Art and Design, Hong Kong. She was fortunate enough to have had the chance to work with local studios and art centers, and had her work featured in magazines and online platforms. Colors play a major role in many of her works, as Gail believes colors reflect and communicate one's emotions deeply. Read more


INTERVIEW: ARIANNA ILARDI

Interviews | October 21, 2020

Multifaceted Artist, born from Classical Dance, Arianna Ilardi studied with Masters S. Brioschi and P. Virtanen, then graduating as a contemporary dancer at the Compagnia ErsiliaDanza (VR). At eighteen years old she began working as a dancer in Liberovici 'Macbeth Remix' with the costumes by the Oscar winner M. Canonero. By pure chance, she was noticed by the photographer Stefano Goldberg, with whom she establishes a very strong partnership lasting until his untimely death (2020). She has worked in the most important Italian theaters (Teatro Regio di Torino, Teatro Comunale di Bologna,Teatro Alighieri di Ravenna, Teatro Carlo Felice di Genova, Teatro Comunale di Firenze, Arteven, Teatro Petruzzelli di Bari etc.) and she has been chosen by Directors such as Zeffirelli, Pizzi, Cobelli, Saura, De Ana, etc. and as an added dancer with the Ballet de Lorraine. Read more


INTERVIEW: MARJORIE WOOD HAMLIN

Interviews | October 20, 2020

Marjorie has studied fine art since she was 12 years old. She has a BA with a major in Applied Art and Art History from Willamette University. She also studied at San Francisco State University, Academy of Art San Francisco and with Stanford University in Venice Italy. After years of study, she now creates her own style, pushing the envelope of innovation to make new sensations for the eye of the beholder. Creating different series keeps her imagination renewed. Read more


INTERVIEW: NAO SAKAMOTO

Interviews | October 18, 2020

With a background in film-making, interior architecture, and animation, Tokyo-based media artist Nao Sakamoto, also known as NAOWAO, explores hybrid worlds between the physical and the digital. She is intrigued by the way contemporary culture influences us human beings and believes it requires rethinking the relationship between ourselves and the world around us. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!