James Lee Byars | ITSLIQUID

James Lee Byars

Art | August 5, 2014 |

003James Lee Byars, Untitled (Performable Scroll), 1967

James Lee Byars

The Department of Media and Performance Art, in collaboration with MoMA PS1, is pleased to present several of James Lee Byars‘s most influential performance works. Byars (Detroit, 1932–Cairo, 1997), one of the most mythic artistic figures of the last century, shaped his persona and career into a continuous performance. Transfixed by the idea of perfection, Byars produced a remarkable body of work—including sculptures, fabric costumes, “performable” paper pieces, film, ink paintings, correspondence, ephemera, and live performances – that strove to give form to his search for beauty and truth. Pursuing what he called “the first totally interrogative philosophy,” he attempted to delineate the limits of our knowledge while enacting a desire for something more.

002James Lee Byars, The Chair for the Philosophy of Question, 1996

In conjunction with the exhibition James Lee Byars: 1/2 an Autobiography, on view at MoMA PS1 through September 7, 2014, this series of performances will take place at MoMA, referencing Byars’s early history with the Museum. Byars’s relationship with MoMA began in 1958, following an encounter he had with a Mark Rothko painting in his native Detroit. Impressed, he hitchhiked to New York, hoping to meet the artist. Byars arrived at MoMA and asked for Rothko’s contact information; amused, the receptionist phoned curator Dorothy C. Miller, who came down to meet Byars, at which point he reportedly convinced her to allow him to hold a temporary exhibition in a stairwell at the Museum. Thus began a lengthy correspondence between Byars and Miller, in which the artist proposed ideas for actions or displays he hoped to realize at the Museum, including those involving a group of performable paper works that he gave to the Museum in 1966.

001James Lee Byars, The Sphere Book, 1980

Byars had moved to Kyoto in 1958, and spent nearly a decade there, periodically leaving for Europe or the U.S. to pursue various opportunities. Influenced by aspects of Japanese Noh theater and Shinto ritual, he created and performed folded paper works at sites ranging from Japanese temples to New York galleries, and made fabric “costumes” intended to join together two or more people in public performances. Byars aimed to explore social behavior, explaining, “I want people to come and develop an awareness about their perceptions, their behavioral cycles, what they eat, their lifestyle.”

more. www.moma.org

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


CALL FOR ARTISTS: CANVAS INTERNATIONAL…

Calls | January 21, 2022

CANVAS is an International Art Fair that will present collective and solo projects by leading and emerging international artists. The 2022 edition will represent a forum for direct exchange of ideas and contacts between collectors, artists, photographers, designers and art professionals. The art fair features paintings, sculptures, photography art, installations, video art and live performance. Read more


Featured Artist: Bette Ridgeway

Art | January 14, 2022

Celebrated for her large-scale, luminous poured canvases, Bette Ridgeway has devoted five decades to developing her unusual pouring technique; garnering international recognition in the process. Read more


ALEXANDER CALDER: MINIMAL / MAXIMAL

Art | January 11, 2022

Alexander Calder (1898–1976) has been closely associated with the Neue Nationalgalerie for decades thanks to his masterpiece “Têtes et queue” (1965). Read more


JEFF KOONS: SHINE

Art | January 8, 2022

This autumn, Palazzo Strozzi in Florence will host a major exhibition by Jeff Koons opening on 2 October 2021. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!