GABRIEL RICO. Nature Loves to Hide | ITSLIQUID

GABRIEL RICO. Nature Loves to Hide

Art | July 16, 2020 |

GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin

GABRIEL RICO. Nature Loves to Hide
Perrotin – Contemporary Art Gallery, Paris
May 23 – August 14, 2020

Gabriel Rico’s formulas are brief and precise expressions to make, solve or achieve something concrete. Thus, they are processes helping to resolve problems or carry out tasks with a series of symbols and rules. The big difference between mathematical formulas and Rico’s is that our artist’s symbols are “things”; objects steeped in value for being real by their very nature.

GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin

Therefore, these applications are not intended to be a symbolic or abstract representation of a real being but the synthesis or fusion of things that exist on the material plane. Here, we are reversing the traditional process of representation, experimenting with absurd procedures, then, instead of ignoring reality, taking the physical nature of these objects and combining them to see what happens.

Perrotin Saint Claude is pleased to present Gabriel Rico’s Nature Loves to Hide. Thirteen works are installed across three major galleries, hosting two wall installations, seven assemblages with a strong sculptural element and a mural packed with “formulas” arranged across a vast wall.

GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin

Together, these works form an experience of delirium and dialectical tension. Unlike the direct abstraction we form when establishing the overall meaning of something, and contrary to the “clarity” of the identity principle which defines an object based on the images we associate with it, these operations are fundamentally visual – the synthesis of objects that do not evoke a conventional image but, first and foremost, a simple material presence.

For example, the I – Mural piece presents a series of commonplace objects and a handful of arrows (similar to the if and only if arrows in positional logic) pictured on the white expanse of the wall. The link between these volumes and the graphite symbols is puzzling. And though we cannot clearly decipher his general codes, they are nonetheless eloquent and intuitively legible.

GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin

A Husserlian épochè is at play where the material nature and physical force of “things” manifests without intervention. The symbols of if and only if are logical connectives more difficult to assimilate and connect with colloquial language. Here, they serve to make “connections” between the objects, linking these products and suggesting a certain type of value. In reality, there is no logical–rational meaning and they produce only the effect of absurd connection. Shaped by the same principles is XXVI – More robust nature… more robust geometry which presents three parts: a stone, a small round cover in rusty tin and a crooked tree branch which are linked by a neon light running along the edge and unifying the items. The fluorescent gleam passes through each of these objects, ultimately connecting them.

GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin

We also have works such as Unity & Uniformity (La Mitla de hérétiques) where more than 200 roughly hewn brass plates are arranged in a space approximately three meters in diameter, representing the full-scale feathers of Mesoamerican birds. The structure presents a regular pattern that repeats and multiplies over and over, thus creating a perfect visual texture. Interestingly, of these feathers arranged on the wall, only two are from real birds. Despite the color and material contrast between the roughly hewn metal and the real feathers, the oppositional effect is almost imperceptible owing to the scale of the ensemble. This playful touch forces us to question the powerful landscape produced by the artificial sheets and appreciate the uniqueness of a pair of natural keratin feathers.

more. www.leaflet.perrotin.com

GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin
GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin
GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin
GABRIEL RICO. Nature Loves to Hide
Image courtesy of Gabriel Rico and Perrotin

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


LONDON CONTEMPORARY 2022 – 4TH…

Calls | August 17, 2022

LONDON CONTEMPORARY ART FAIR 2022, organized by ITSLIQUID Group in collaboration with YMX Arts, will be held in London, at THE LINE Contemporary Art Space in the South Bank area, in the heart of London's cultural scene, from October 05 to October 20, 2022. Read more


ROME INTERNATIONAL ART FAIR 2022…

Calls | August 16, 2022

ROME INTERNATIONAL ART FAIR 2022 - 4th edition, organized by ITSLIQUID Group, will be held in Rome, at Medina Art Gallery from September 16 to Septmber 29, 2022. Read more


SIMON HANTAÏ. THE CENTENARY EXHIBITION

Art | August 13, 2022

To celebrate the centenary of Simon Hantaï (1922-2008), Fondation Louis Vuitton is organising an unprecedented retrospective exhibition curated by Anne Baldassari. It includes more than 150 of Simon Hantaï’s works, many of which have never before been shown, and the majority of which are large format works from 1957 to 2004. Read more


META SENSIBLE

Design | August 5, 2022

For the September 2022 edition, following two years surrounded by our own four walls, Maison&Objet Paris is inviting visitors to step inside the new kind of world we’ve all been dreaming of, echoing a deep-rooted need for meaning and emotion. A new El Dorado of creativty. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!