Paesaggi d’aria. Luigi Ghirri and Yona Friedman/Jean-Baptiste Decavèle at Fondazione Querini Stampalia in Venice | ITSLIQUID

Paesaggi d’aria. Luigi Ghirri and Yona Friedman/Jean-Baptiste Decavèle at Fondazione Querini Stampalia in Venice

Art | February 1, 2016 |

15_Luigi-Ghirri_Cadecoppi-Dalla-strada-per-Finale-Emilia-1989-1990_405x51-cm-1024x717Image courtesy of Fondazione Querini Stampalia

Paesaggi d’aria. Luigi Ghirri and Yona Friedman/Jean-Baptiste Decavèle at Fondazione Querini Stampalia in Venice.

The exhibition is the first act of a research program connected to the “Ghirri Fund”, recently created at Querini Stampalia thanks to the passion and kindness of collector Roberto Lombardi. A project curated by Chiara Bertola and Giuliano Sergio. Result of the collaboration between the Querini Stampalia Foundation, Livio Felluga and RAM radioartemobile, which includes on Friday 20th November: a round table at 4 p.m. with: Jean-Baptiste Decavèle, artist; Alberto Ferlenga, rector of the IUAV University of Venice; Chiara Parisi, director of “La Monnaie” of Paris Cultural Programs, and Elena Re, art critic.Chiara Bertola and Giuliano Sergio will moderate the conversation later, at 6 p.m., the opening of the Ghirri Fund exhibition will take place (from 21st November 2015 to 21th February 2016) with the screening of “Livio Felluga 100” documentary by Luigi Vitale about Yona Friedman’s and Jean-Baptiste Decavèle’s “Vigne Museum” (2014), which will be shown until the 21st of February 2016.

 

01_Cittanova-di-Modena-Chiesa-sulla-Via-EmiliaImage courtesy of Fondazione Querini Stampalia


The interaction between photographer Luigi Ghirri and Friedman/Decavèle duo occurs in a common context of many art studies after the Second World War: the need is to demolish a perception of works and places structured by means of frames, showcases, pedestals and architectures, and to subvert the distinction between the object and its containers, the building and the environment. According to this interpretation, “Paesaggi d’aria” suggests thinking over the work of the two most original innovators of photography and architecture. The Italian landscape is in the middle of this debate, a field where both authors build their point of view, each one in his own way, going beyond that tourist convention stuck into the established idea of heritage and museum, that photography and architecture can subvert.

 

domus-01-paesaggi-dariaImage courtesy of Fondazione Querini Stampalia

Hence the idea of comparing Luigi Ghirri’s shots to the aerial and free landscape museum, conceived inside Livio Felluga’s vineyards by the visionary genius of Friedman/Decavèle duo, through the documentary made by the photojournalist and documentary filmmaker Luigi Vitale, who tells the reason of the “Vigne Museum” birth and its building phases. Imagined as a meeting and observation place, it examines the area and its landscape. Since the structure is deeply-rooted and does not have walls, it provides a cause for meditation on the concept of museum and on its current function for contemporary art and for architecture.

 

From 20 November 2015 to 21 February 2016
Fondazione Querini Stampalia – Venice

 

more. www.querinistampalia.org

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