Rachel Whitread | Detached | ITSLIQUID

Rachel Whitread | Detached

Art | March 28, 2013 |

Rachel Whitread, The Gran Boathouse, 2010. Concrete. Installation in Røykenviken, Gran, Norway

Rachel Whitread | Detached
11.04.2013 – 25.05.2013

Gagosian Gallery is pleased to present “Detached”, an exhibition of new sculpture by Rachel Whiteread. Her title calls by name the process of abstracting or distantiating from reality that is an intrinsic part of the artistic process. Whiteread’s sculpture is predicated on casting procedures, and the traces left on the sacrificial objects and spaces from which the final inverse form is derived. She casts from everyday objects as well as from the space beneath or around furniture and architecture, using single materials such as rubber, dental plaster, and resin to record every nuance.
Detached 1, Detached 2, and Detached 3 (2012) render the empty interior of a garden shed in concrete and steel. Cast from generic wooden sheds, the large-scale sculptures render negative space into solid form, and the prosaic into something fantastically disquieting. The sheds recall the monolithic architectural and site-specific works for which Whiteread first became renowned, such as Ghost (1990) and House (1993) and, most recently, the imposing concrete sculpture Boathouse (2010), installed on the water’s edge in the remote Nordic landscape of Røykenviken. Circa 1665 (I) (2012), LOOK, LOOK, LOOK (2012) and Loom (2012) belong to a new series cast from doors and windows in delicate shades of rose, eau-de-nil, or steely resin. In their watery thickness, the effects of changing light and shadow become implicit, subjective dimensions as the sculptures glow with absorbed and reflected light. Propped against or affixed to walls to mimic the serviceable object, the uncanny imitations – detached from their usual function – become repositories of memory and meaning, containing palpable traces of their individual pasts. Referring to large-scale, serial resin works such as Untitled (Floor) (1994) and One Hundred Spaces (1995), their translucent bulk at once objectifies and negates the minute detail and incident of otherwise invisible amplitudes.

Rachel Whitread, Untitled, 1998. Ink and correction fluid on postcard

Whiteread’s works on paper reveal the intention of the artist’s hand rather than the found histories of the sculptural work. Untitled (Amber) (2012) and Untitled (Green) (2012) are diminutive cardboard constructions mounted on graphite-marked notepaper, painted with silver leaf to form tiny, imperfect monuments complete with celluloid “windows” that refer to the resin sculptures. Similarly, the “mixografia” prints Squashed (2010) are richly textured renderings of found crushed tin cans. These organic constructions also reflect Whiteread’s preoccupationspresence and void, the textures of life and history, and the traces of human ubiquity. In three vitrines entitled Some are abject objects (I, II, III) (2013) found objects, sometimes extremely humble, are coupled with small casts and maquettes to provide a glimpse of her inspirations and studio processes.

more. www.gagosian.com

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


The Geometrication by RENESA ARCHITECTURE

Architecture | September 18, 2019

Renesa Architecture Design Interiors Studio took cues from the original deconstructive architecture to create a spatial experience filled with volumetric galleries and partitioned masses. Located at the newly renovated 32nd avenue, the space plays host to a restaurant and an escape room unlocking a variable experience that includes the visitor from the very start. Read more


OPENING: ANIMA MUNDI FESTIVAL 2019…

Events | September 17, 2019

ITSLIQUID Group, in collaboration with Venice Events and Ca' Zanardi, is proud to announce VISIONS, third appointment of ANIMA MUNDI 2019 – International Art Festival, curated by Arch. Luca Curci (founder and director of THE ROOM Contemporary Art Space, ITSLIQUID Group and Luca Curci Architects) that will be held at THE ROOM Contemporary Art Space from October 03 to November 24, 2019 and at Palazzo Ca' Zanardi from October 04 to November 24, 2019 in Venice. Read more


OPENING: LONDON CONTEMPORARY International Art…

Events | September 17, 2019

ITSLIQUID Group, in collaboration with YMX Arts and Mercato Metropolitano, is proud to announce LONDON CONTEMPORARY International Art Fair that will be held in London, at THE LINE Contemporary Art Space from September 27 to October 25, 2019, during the same period of Frieze London (03 - 06 October, 2019, curated by Diana Campbell Betancourt and Lydia Yee). Read more


Minimalism/Maximalism

Fashion | September 16, 2019

Minimalism/Maximalism is the first exhibition devoted to the historical interplay of minimalist and maximalist aesthetics as expressed through high fashion. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!