
EXHIBITION REVIEW
VISIONS – ANIMA MUNDI 2026
Venice | July 17 – July 31, 2026
Palazzo Albrizzi-Capello, Venice
ITSLIQUID Group, in collaboration with ACIT Venice – Italian-German Cultural Association, is thrilled to celebrate the opening of VISIONS, which took place on July 17, 2026, at 06:00 PM. As the brilliant third chapter of the ANIMA MUNDI ART FAIR 2026, this exhibition features a selection of more than 100 artists from more than 40 countries worldwide, each bringing a unique energy and vision to the project. Unfolded in the iconic heart of Venice alongside the 61st Venice Biennale, the opening event brought together an enthusiastic global community of art lovers, creating a vibrant room filled with inspiration, energy, and meaningful artistic dialogue.
Click here to read more about the press release
Click here to see the photo full reportage
ANIMA MUNDI is the vital energy that flows through everything, the subtle force that connects all forms of existence, from the natural to the artificial, from the visible to the invisible. It is the living pulse of the world, the rhythm that sustains transformation, coexistence, and renewal. Plato expressed his thoughts about ANIMA MUNDI in the Timaeus, describing the universe – “this world is indeed a living being endowed with a soul and intelligence… a single visible living entity containing all other living entities, which by their nature are all related”.
How does this universal energy manifest itself today? We invited artists, designers, and architects to take part in a collective exploration of ANIMA MUNDI, investigating the subtle correspondences between soul and body, humanity and nature, organic and synthetic worlds, wild landscapes, and urban architectures.

Across this evocative selection of visual voices, contemporary practice unfolds as a continuous dialogue between perception, emotion, and transformation. The journey begins with Danny Johananoff’s photographs, where motion, color, and intuition converge to dissolve the boundaries between reality and sensation. His dreamlike, blurred images capture fleeting encounters across cultures, inviting the viewer into a space of interpretation and resonance. This fluid perception of the world finds a natural echo in Magnus Østermann‘s introspective visual narrative, where photography becomes both refuge and reckoning. Moving between Berlin and Athens, Østermann constructs fragmented, emotionally charged images that trace personal disillusionment and resilience, transforming photography into an act of survival and catharsis.

From this emotional terrain, the exhibition shifts into the luminous practice of Philip Mariaud-Hottentot, whose compositions capture the shifting atmospheres of the southern French coastline, translating light and color into vivid, almost tactile impressions. This engagement with atmosphere and materiality resonates with Adrï Menéghïni‘s dynamic abstractions: rooted in a dual trajectory as physician and artist, Menéghïni constructs layered compositions through gestural techniques and experimental processes, embracing imperfection as a generative force that opens a dialogue with inner landscapes.
This interplay of inner and outer worlds deepens in Andrew Gibbs‘ layered urban narratives, where architecture becomes a vessel for memory and loss; through complex, multi-layered compositions, Gibbs captures the emotional resonance of changing cityscapes, reflecting on the fragile connections between people and the spaces they inhabit. His work finds a conceptual counterpart in Patricia Graham‘s profoundly emotive paintings, where vulnerability and healing take form in expressive, symbolic compositions that merge abstraction and figuration.

Graham’s focus on inner experience and human connection extends naturally into Vladan Marinkovic‘s myth-infused photography, where the timeless search for beauty converges with the construction of the self, where dreamlike scenes question ideals of creation, acceptance, and self-recognition, oscillating between reality and imagination. Finally, Diana Rîmbu‘s introspective practice brings this dialogue to a resonant close, positioning art as a language of the soul: in her emotionally charged compositions, inspired by human connection and inner landscapes, Diana invites viewers to look beyond the visible and engage with deeper, intuitive meanings, offering moments of reflection, healing, and quiet revelation.
Together, these diverse practices form an intricate and immersive journey, where photography, painting, and mixed media converge to explore the delicate balance between inner worlds and external realities-revealing art as a powerful space of transformation, connection, and shared human experience.
organized by ITSLIQUID Group
in collaboration with ACIT Venice – Italian-German Cultural Association | GOETHE INSTITUT
curator Luca Curci
general manager Giulia Tassi
project manager Amaride Ferrante
project coordinator Annachiara Recchia
collaborators Maria Elena Apollonio, Alice Courtois, Carlotta De Lucia
artists coordinators Maria Arban, Aaliyah Kiekens
graphic designer Sara De Rosa
EXHIBITION DAYS
July 20 – July 31, 2026
Monday – Friday | 09:30 AM – 05:30 PM
Palazzo Albrizzi-Capello
Associazione Culturale Italo-Tedesca (ACIT), Cannaregio 4118, Venice



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ITSLIQUID is a web-based information platform, founded in 2001 by Luca Curci, dedicated to the worldwide distribution of information about calls for entries, exhibitions and events at some of the world’s leading art galleries, museums and foundations. ITSLIQUID has already built a readership of more than 300.000 qualified subscribers. Among them are architects, designers, artists, collectors, art critics, curators, dealers, and other personalities of the International art, architecture and design world. It provides advertising services, press office services for events and projects, articles and specials published on the website, and media partnership services.
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ITSLIQUID GROUP includes a section dedicated to the organization of international art events, managing exhibitions of painting, photography, video art, installation and performance; it organizes solo and collective shows, art residencies and international contests. Its object is to use new technologies to globalize the language of art, and to connect artists working in every part of the world.
ITSLIQUID Group manages a variety of art spaces all over the world; among them Palazzo Albrizzi-Capello in Venice and different historical buildings, ELEMENTS Contemporary Art Space in the London city centre and other different partners worldwide. Since 2001, ITSLIQUID Group has organized over 350 international events, engaging more than 10,000 artists across over 60 global venues. Its initiatives have featured prestigious museums like the CCCB – Centre de Cultura Contemporània de Barcelona in Spain, the NCCA – National Center for Contemporary Arts in Moscow, the MuMo – Museum Montanelli in Prague, and at the MUST Museum in Lecce, in addition to numerous galleries and private foundations. Thanks to its partnership with Sedition, ITSLIQUID has presented masters such as Bill Viola and Refik Anadol, offering high-level opportunities for young, mid-career, and renowned artists.
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