Serpentine Pavilion 2018 by Frida Escobedo | ITSLIQUID

Serpentine Pavilion 2018 by Frida Escobedo

Architecture | July 13, 2018 |

Serpentine Pavilion 2018 by Frida EscobedoImage courtesy of Serpentine Gallery
 

Serpentine Pavilion 2018 by Frida Escobedo
Serpentine Gallery, London
From 15 June to 7 October 2018

Architect Frida Escobedo, celebrated for dynamic projects that reactivate urban space, has been commissioned to design the Serpentine Pavilion 2018. Harnessing a subtle interplay of light, water and geometry, her atmospheric courtyard-based design draws on both the domestic architecture of Mexico and British materials and history, specifically the Prime Meridian line at London’s Royal Observatory in Greenwich.

 

Serpentine Pavilion 2018 by Frida EscobedoImage courtesy of Serpentine Gallery

 

Escobedo (b. 1979, Mexico City) is the 18th and youngest architect yet to accept the invitation to design a temporary Pavilion on the Serpentine Gallery lawn in Kensington Gardens. This pioneering commission, which began in 2000 with Zaha Hadid, has presented the first UK buildings of some of the biggest names in international architecture. In recent years, it has grown into a hotly anticipated showcase for emerging talent, from Sou Fujimoto of Japan to SelgasCano of Spain and Bjarke Ingels of Denmark. Serpentine Galleries Artistic Director HansUlrich Obrist and CEO Yana Peel selected this year’s architect, with advisors David Adjaye and Richard Rogers.

 

Serpentine_Pavilion_2018_001Image courtesy of Serpentine Gallery

  

Escobedo’s Pavilion will take the form of an enclosed courtyard, comprised of two rectangular volumes positioned at an angle. While the outer walls will be aligned with the Serpentine Gallery’s eastern façade, the axis of the internal courtyard will align dir
ectly to the north. Internal courtyards are a common feature of Mexican domestic architecture, while the Pavilion’s pivoted axis refers to the Prime Meridian, which was established in 1851 at Greenwich and became the global standard marker of time and geographical distance.

 

Serpentine Pavilion 2018 by Frida EscobedoImage courtesy of Serpentine Gallery

 

British-made materials will be used in the Pavilion’s construction, chosen for their dark colours and textured surfaces. A celosia – a traditional breeze wall also common to Mexican architecture – will be here composed of a lattice of cement roof tiles that diffuse the view out into the park, transforming it into a vibrant blur of greens and blues from within. Two reflecting elements will emphasise the movement of light and shadow inside the Pavilion over the course of the day. The curved underside of the canopy will be clad with mirrored panels, and a triangular pool cast into the Pavilion floor will trace its boundary directly beneath the edge of the roof, along the north axis of the Meridian. As the sun moves across the sky, reflected and refracted by these features, visitors may feel a heightened awareness of time spent in play, improvisation and contemplation over the summer months.

 

more. www.serpentinegalleries.org

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