Takashi Murakami Exhibition at Gagosian New York | ITSLIQUID

Takashi Murakami Exhibition at Gagosian New York

Art | December 4, 2014 |

Takashi MurakamiImage courtesy of Gagosian New York

Takashi Murakami Exhibition at Gagosian New York

Gagosian New York is pleased to announce “In the Land of the Dead, Stepping on the Tail of a Rainbow”, a major exhibition of new paintings and sculptures by Takashi Murakami. A lightning rod of cultural dichotomies (high/low, ancient/modern, oriental/occidental), Murakami believes the artist to be one who perceives and limns the borders between worlds. Combining classical techniques with the latest technologies, he moves freely within an ever-expanding field of aesthetic issues and cultural inspirations.

Takashi MurakamiImage courtesy of Gagosian New York

Parallel to the dystopian themes that pervade his work, he recollects and revitalizes traditional narratives of transcendence and enlightenment, often involving outsider-savants. Mining religious and secular subjects favored by the so-called Japaneseeccentrics” or non-conformist artists of the Early Modern era commonly considered to be counterparts of the Western Romantic tradition, Murakami situates himself within their legacy of bold and lively individualism in a manner that is entirely his own and of his time.

Takashi MurakamiImage courtesy of Thomas Welch

Since the devastating Great Tōhoku Earthquake of 2011, Murakami has explored Japanese art produced in response to historic natural disasters. Murakami has created an immersive installation, entered through a 56-ton replica of a sanmon (sacred gate), of eclectic arhats; deliquescing clones of his fictional creature Mr. Dob; and karajishi, the mythic lions that guard Japanese Buddhist temples.

Takashi MurakamiImage courtesy of Gagosian New York

Here is a contemporary belief system, constructed in the wake of disaster, that merges earlier faiths, myths, and images into a syncretic spirituality of the artist’s imagination. In totemic sculptures representing demons, religious sites, and self-portraits, and paintings that conflate classical Japanese techniques with Abstract Expressionist tropes, science-fiction, manga, and Buddhist and Shinto imagery, Murakami investigates the role of faith amid the inexorable transience and trauma of existence.

more. www.gagosian.com

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