The Space that Remains: Yao Jui-Chung’s “Ruins” Series | ITSLIQUID

The Space that Remains: Yao Jui-Chung’s “Ruins” Series

Art | June 13, 2014 |

The Space that RemainsYao Jui-Chung, UFO House

The Space that Remains: Yao Jui-Chung’s “Ruins” Series

Architecture” is not just about construction. Every man-made structure bears the germ of its own destruction, of its becoming a ruin. Ruins are architecture’s “other” that is waiting within, bound to become “The Space that Remains“. It is in reference to Giorgio Agamben’s essay “The Time that Remains” that this exhibition title has been chosen, a text discussing the “Letter to the Romans” and St. Paul’s role in early Christianity’s critical period of transition. Could there be something in that residual time, charged with messianic expectation, as Agamben suggests, that might contrapuntally be applicable to that what remains of buildings in our current, global post-capitalistic society?

The Space that RemainsYao Jui-Chung, The slate house

The exhibition, The Space that Remains: Yao Jui-Chung’s ‘Ruins’ Series, touches upon the afterlife of building not from the position of its makers, users, or providers, but from the act of a reader. In his passionate and idiosyncratic manner, Yao Jui-Chung (1969 – ) has been in search of discarded, unused, and abandoned buildings all over his home country since the early 1990s. As a result, he has gathered a significant documentary archive of black and white photographs of Taiwanese ruins.

The Space that RemainsYao Jui-Chung, UFO House 

A prolific art writer, critic, photographer, painter and video artist, Yao deals with the objects of his photographic explorations by negating any systematic order and assuming perspectives and camera angles seemingly chosen at random, with no regard for completeness. All ruins are viewed from a personal point of view that is neither journalistic, nor documentary nor voyeuristic. Yet paradoxically, it is exactly from this random perspective that we experience a sense of closeness to these structures, becoming a reader ourselves, reflecting, intersubjectively, on the fate of the ruins and their past and future.

The Space that RemainsYao Jui-Chung, Shuinandong remains

While Giorgio Agamben’s “The Time that Remains” provided for the inspiration for the exhibition title, it is, however, Michel Serres’ “Natural Contract” that deserves more attention. Though circumscribed by nature, ruins are unequivocally man-made, yet have drifted out of the orbit of human awareness. Would a newfound responsibility for them, a “ruins contract“, not be appropriate to deal with these testimonies of former human activities?

The Space that RemainsYao Jui-Chung, Western- styled building

One of the general themes of this year’s Architecture Biennale is the concept of historical reflection, and it is a look back into the past – albeit an emotional, almost mystical one – that also informs this exhibition. Out of an impressive corpus of images, thirty intense and poetic black and white photographs grouped in several series and one video have been selected, that show remnants of aboriginal structures, unique Han Chinese residential buildings on the Pescadores Islands, erratic examples of 20th century Western style architecture, iconic industrial ruins, and the somber postwar architecture on a prison island for political dissidents.

more. www.yaojuichung.com | www.labiennale.org | http://m.ntua.edu.tw

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


Feedback release: VISIONS 2019

Events | October 18, 2019

ITSLIQUID Group, in collaboration with Venice Events and Ca' Zanardi, is proud to share the immense success of VISIONS, third appointment of ANIMA MUNDI 2019 - International Art Festival, curated by Arch. Luca Curci (founder and director of THE ROOM Contemporary Art Space, ITSLIQUID Group and Luca Curci Architects) that has been held at THE ROOM Contemporary Art Space from October 03 to November 24, 2019 and at Palazzo Ca' Zanardi from October 04 to November 24, 2019 in Venice. Read more


Sejong M-Bridge by Morphosis

Architecture | October 16, 2019

In 2003, the government of South Korea announced ambitious plans to move the capital out of Seoul, in an effort to encourage more balanced development and political influence across the country. Seoul was eventually retained as the national capital but many governmental departments and ministries were moved to Sejong City, a new planned metropolitan center designated as a special administrative zone. Read more


CALL FOR ARTISTS: CONTEMPORARY VENICE…

Calls | October 16, 2019

ITSLIQUID GROUP, in collaboration with Venice Events and Ca' Zanardi, is selecting all interesting photo, painting, video art, installation/sculpture and performance art works to include in the next exhibition: CONTEMPORARY VENICE 2019 – ITSLIQUID International Art Show, international exhibition of photography, painting, video art, installation/sculpture and performance art, that will be held in Venice, at THE ROOM Contemporary Art Space, from December 05, 2019 to January 10, 2020, at Palazzo Ca' Zanardi, from December 06, 2019 to January 10, 2020 and in other prestigious venues and historical buildings. Read more


CALL FOR ARTISTS: ALCHEMIC BODY…

Calls | October 13, 2019

ITSLIQUID Group is selecting all interesting photography, painting, installation/sculpture, video art and performance art works to include in the next exhibition: ALCHEMIC BODY | FIRE . AIR . WATER . EARTH 2019, International photography, painting, installation, video-art and performance art festival, that will be held in London, at The Line London from December 20, 2019 to January 31, 2020. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!