THINGS ENTANGLING | ITSLIQUID

THINGS ENTANGLING

Art | August 10, 2020 |

thingsentangling_mottokyo
Tom Nicholson, Comparative Monument (Shellal), 2014-2017
Collection: Art Gallery of New South Wales, Sydney Photo: Christian Capurro

Things Entangling, a Collaboration between MOT and KADIST
MOT – Museum of Contemporary Art Tokyo, Tokyo
June 09 – September 27, 2020

The Museum of Contemporary Art Tokyo and KADIST present the exhibition “Things Entangling”, the culmination of a major, long-term curatorial collaboration. Trees, fossils, books, artifacts – these are some of our companions as we live in and make sense of the world. They are protagonists in our reconstructions of the past and constructions of the present, as both individual and societies. They may create their own meaning through their own agency, or gain it from our use and circulation of them – even our discarding of them. They have the ability to configure social realities, cultural identities, and human subjectivities.

thingsentangling_mottokyo
Pio Abad, The Collection of Jane Ryan & William Saunders, 2014-2019

Against a global context of challenging ecological and sociopolitical changes, this exhibition features artworks that trace and animate the trajectories, nexuses, and mutations of things, in which realities and histories collide and reverberate continuously. These things entangling are not framed as fixed but as always in process. They might be material objects or living subjects, but they are always also mediators of meaning, ideology, and value. From installation to video, photography, and collage, the artworks effectively make silent things speak thanks to new assemblages that unearth hidden histories of the subordinated, follow nature’s evolutions under the brutal circumstances of capitalism, imagine the repatriation of cultural heritage, and decipher the unfulfilled aspirations underlying historical and contemporary dislocations. They show how artistic manipulations can reveal the permeability of things as well as their aesthetic and mediating potential.

Video courtesy of MOT Museum Of Contemporary Art Tokyo

When the twelve invited artists invoke anthropology, archaeology, or historiography to seek rootedness or to probe resonances with specific moments and places, they aim less to excavate or clarify the past than to open up a new politics of interpretation for building the present. Haunted by different time spans and territories, positions and subjectivities, they explore what is channeled through and mediated by entities around us in order to unravel the apparatuses of our societies and cultures. They also examine how these apparatuses are transformed by various forces, including energies of nature, human interest, and abiding beliefs.

thingsentangling_mottokyo
Tom Nicholson, Comparative Monument (Shellal), 2014-17.Collection of Art Gallery of New South Wales Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi

Via speculation and imagination, Things Entangling draws our attention to the hidden lives of things and their multifaceted interactions, and explores how reconstructing, animating, or restoring their agency could prompt us to revisit or even reposition ourselves in our current society and environment, facing as we do unprecedented natural and human-made crises. Longing for desirable futures, the artists aim to reveal unexpected intersections, elusive networks, and fleeting affinities between things. Through their work they aspire to open up the closed circles, exclusive territories, and static systems that are around and also within us.

thingsentangling_mottokyo
Alexandra Pirici, Parthenon Marbles, 2017 Collection: KADIST Photo: Ouidade Soussi-Chiadmi

KADIST believes contemporary artists make an important contribution to a progressive society by addressing through their work the key issues of our time. As a non-profit organization dedicated to exhibiting the work of artists represented in its collection, KADIST encourages this engagement and affirms contemporary art’s relevance within social discourse. Its programs develop collaborations with artists, curators and many art organizations around the world, facilitating new connections across cultures. Local programs in KADIST’s hubs of Paris and San Francisco include exhibitions, public events, residencies and educational initiatives. Complemented by an active online network, they aim at creating vibrant conversations about contemporary art and ideas.

thingsentangling_mottokyo
Tom Nicholson, Comparative Monument (Shellal), detail 2014-17 Collection of Art Gallery of New South Wales. Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi

Things Entanglingis the last step of a curatorial collaboration between the Museum of Contemporary Art Tokyo and KADIST. Initiated in 2016, this collaboration unfolds across a series of three exhibitions based on artistic forms of engagement in contemporary society. After a first group exhibition entitled “Almost nothing, yet not nothing”, presented at the Tokyo University for the Arts as part of “MOT Satellite” project in October-November 2017 and “Les nucléaires et les choses”, a solo exhibition by Hikaru Fujii which took place at KADIST, Paris in May-July 2019, this final international exhibition will bring together new works as well as works from the two collections.

more. www.mot-art-museum.jp

thingsentangling_mottokyo
Pio Abad (left/center), Mixrice (right).Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Image courtesy of MOT Museum Of Contemporary Art Tokyo
thingsentangling_mottokyo
Pio Abad, Splendour, 2019. Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Liu Chuang, Bitcoin Mining and Field Recordings of Ethnic Minorities, 2018
thingsentangling_mottokyo
Mixrice, Plants that Evolve (in some way or other), 2013. Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Image courtesy of MOT Museum Of Contemporary Art Tokyo
thingsentangling_mottokyo
Jumana Manna (front), Yukihisa Isobe (left), Asako Iwama (right back) Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Jumana Manna, Cache (Insurance Policy), 2018-2019 (installation detail) Photo: Luca Guadagnini
thingsentangling_mottokyo
Asako Iwama, Pinocchio, detail 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Asako Iwama, Pinocchio, detail 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Yukihisa Isobe, Personal Landscape, 2000-01 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Yukihisa Isobe, Investigation for Japan National Land Agency: Osaka bay area, 1976 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Yukihisa Isobe, Wind Direction Undefinable, 1998 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Kapwani Kiwanga, Rumors That Maji Was a Lie…, 2014 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Kapwani Kiwanga, Rumors That Maji Was a Lie…, detail 2014 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Dale Harding with Hayley Matthew, Know them in correct judgement – Gami, 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
The Propeller Group and Superflex, FADE IN: EXT. STORAGE – CU CHI – DAY, 2010  Collection of KADIST Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Hikaru Fujii, The Anatomy Classroom, 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Hikaru Fujii, The Anatomy Classroom, (video) 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


CALL FOR ARTISTS: CANVAS |…

Calls | September 24, 2020

ITSLIQUID Group, in collaboration with Mercato Metropolitano and YMX Arts, is pleased to announce the open call for the exhibition MIXING IDENTITIES, third appointment of CANVAS - London International Art Fair. Curated by Arch. Luca Curci, MIXING IDENTITIES will be presented in London at THE LINE Contemporary Art Space from December 03, 2020 to January 15, 2021. Read more


CALL FOR ARTISTS: CONTEMPORARY VENICE…

Calls | September 24, 2020

ITSLIQUID Group, in collaboration with Venice Events and ACIT Venice - Italian-German Cultural Association, is pleased to announce the open call for CONTEMPORARY VENICE 2020 - ITSLIQUID International Art Fair, international exhibition of photography, painting, video art, installation/sculpture and performance art, that will be held in Venice, at THE ROOM Contemporary Art Space, from December 17, 2020 to January 15, 2021, at Palazzo Albrizzi-Capello, from December 18, 2020 to January 15, 2021 and in other prestigious venues and historical buildings. Read more


INTERVIEW: ROSWITHA KLOTZ

Interviews | September 20, 2020

Roswitha Klotz is a visual artist and musician living in Regensburg, Germany. From an early age, she turned to painting and music and was successful in both disciplines. After graduating from high school, she first studied music and musicology in Munich, then art and art history. Her path took her from Bad Kissingen to Munich and Regensburg, to Belgium and Austria, to the USA, Italy, Portugal, Switzerland and the Czech Republic. Read more


Interview: Lidea Hajjar

Interviews | September 19, 2020

Mother of four young men, Lidea M. Hajjar, from the Land of Cedars, a tiny spot on the world map, yet Lebanon is mentioned more than 70 times in the Holy Book. Faith and experiences shaped her multidimensional personality, translated in her ambitions, generosity, thoughtfulness, and passion. Pleasantly calm, she fights for what she desires with the belief that great things don’t come easily. Full- time learner, motivated by her love for everything around her, because she says we are part of the universe and we have plenty of resources. She got her degree in Interior Architecture with honours from the Lebanese American University along with her two elder boys, and another degree in psychology from Lebanese University. She speaks 5 languages and the sixth being a universal one, Art, became her greatest language. She designs her projects, plays guitar, dances, and paints with her body, mind, and soul. And in her Ted talk about Architecture and Tango, Lidea stated that everything is correlated, and every work should be done passionately. For years, her little free time occupation was painting, using different techniques and mediums. But fell lately for the acrylic abstracts, where she finds her hand wandering over the canvas, evoking lots of her emotions, and emanating unlimited expressions, especially in a style of her own she called ‘Limitless Limit’. Her goal is having lovers for her paintings more than clients, she wants her paintings owners to fall for them every day. Self-taught painter, based on the discipline of architecture, the limitations and constraints are her opportunities to design and paint. Eco-friendly artists and engineers are a must for our planet. Rules and norms are her challenge to create. Flexibility is mandatory. Criticism and new approaches are cuddled. She is enrolling in a realism workshop to add skills to her skillset. For Lidea the ''Sky is the Limit''. Through her passion for Life, she enjoys nature, reading, music, dance, yoga, walking her pets, and the most importantly spending time with her beloved ones and eating chocolate. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!