THINGS ENTANGLING | ITSLIQUID

THINGS ENTANGLING

Art | August 10, 2020 |

thingsentangling_mottokyo
Tom Nicholson, Comparative Monument (Shellal), 2014-2017
Collection: Art Gallery of New South Wales, Sydney Photo: Christian Capurro

Things Entangling, a Collaboration between MOT and KADIST
MOT – Museum of Contemporary Art Tokyo, Tokyo
June 09 – September 27, 2020

The Museum of Contemporary Art Tokyo and KADIST present the exhibition “Things Entangling”, the culmination of a major, long-term curatorial collaboration. Trees, fossils, books, artifacts – these are some of our companions as we live in and make sense of the world. They are protagonists in our reconstructions of the past and constructions of the present, as both individual and societies. They may create their own meaning through their own agency, or gain it from our use and circulation of them – even our discarding of them. They have the ability to configure social realities, cultural identities, and human subjectivities.

thingsentangling_mottokyo
Pio Abad, The Collection of Jane Ryan & William Saunders, 2014-2019

Against a global context of challenging ecological and sociopolitical changes, this exhibition features artworks that trace and animate the trajectories, nexuses, and mutations of things, in which realities and histories collide and reverberate continuously. These things entangling are not framed as fixed but as always in process. They might be material objects or living subjects, but they are always also mediators of meaning, ideology, and value. From installation to video, photography, and collage, the artworks effectively make silent things speak thanks to new assemblages that unearth hidden histories of the subordinated, follow nature’s evolutions under the brutal circumstances of capitalism, imagine the repatriation of cultural heritage, and decipher the unfulfilled aspirations underlying historical and contemporary dislocations. They show how artistic manipulations can reveal the permeability of things as well as their aesthetic and mediating potential.

Video courtesy of MOT Museum Of Contemporary Art Tokyo

When the twelve invited artists invoke anthropology, archaeology, or historiography to seek rootedness or to probe resonances with specific moments and places, they aim less to excavate or clarify the past than to open up a new politics of interpretation for building the present. Haunted by different time spans and territories, positions and subjectivities, they explore what is channeled through and mediated by entities around us in order to unravel the apparatuses of our societies and cultures. They also examine how these apparatuses are transformed by various forces, including energies of nature, human interest, and abiding beliefs.

thingsentangling_mottokyo
Tom Nicholson, Comparative Monument (Shellal), 2014-17.Collection of Art Gallery of New South Wales Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi

Via speculation and imagination, Things Entangling draws our attention to the hidden lives of things and their multifaceted interactions, and explores how reconstructing, animating, or restoring their agency could prompt us to revisit or even reposition ourselves in our current society and environment, facing as we do unprecedented natural and human-made crises. Longing for desirable futures, the artists aim to reveal unexpected intersections, elusive networks, and fleeting affinities between things. Through their work they aspire to open up the closed circles, exclusive territories, and static systems that are around and also within us.

thingsentangling_mottokyo
Alexandra Pirici, Parthenon Marbles, 2017 Collection: KADIST Photo: Ouidade Soussi-Chiadmi

KADIST believes contemporary artists make an important contribution to a progressive society by addressing through their work the key issues of our time. As a non-profit organization dedicated to exhibiting the work of artists represented in its collection, KADIST encourages this engagement and affirms contemporary art’s relevance within social discourse. Its programs develop collaborations with artists, curators and many art organizations around the world, facilitating new connections across cultures. Local programs in KADIST’s hubs of Paris and San Francisco include exhibitions, public events, residencies and educational initiatives. Complemented by an active online network, they aim at creating vibrant conversations about contemporary art and ideas.

thingsentangling_mottokyo
Tom Nicholson, Comparative Monument (Shellal), detail 2014-17 Collection of Art Gallery of New South Wales. Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi

Things Entanglingis the last step of a curatorial collaboration between the Museum of Contemporary Art Tokyo and KADIST. Initiated in 2016, this collaboration unfolds across a series of three exhibitions based on artistic forms of engagement in contemporary society. After a first group exhibition entitled “Almost nothing, yet not nothing”, presented at the Tokyo University for the Arts as part of “MOT Satellite” project in October-November 2017 and “Les nucléaires et les choses”, a solo exhibition by Hikaru Fujii which took place at KADIST, Paris in May-July 2019, this final international exhibition will bring together new works as well as works from the two collections.

more. www.mot-art-museum.jp

thingsentangling_mottokyo
Pio Abad (left/center), Mixrice (right).Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Image courtesy of MOT Museum Of Contemporary Art Tokyo
thingsentangling_mottokyo
Pio Abad, Splendour, 2019. Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Liu Chuang, Bitcoin Mining and Field Recordings of Ethnic Minorities, 2018
thingsentangling_mottokyo
Mixrice, Plants that Evolve (in some way or other), 2013. Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Image courtesy of MOT Museum Of Contemporary Art Tokyo
thingsentangling_mottokyo
Jumana Manna (front), Yukihisa Isobe (left), Asako Iwama (right back) Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Jumana Manna, Cache (Insurance Policy), 2018-2019 (installation detail) Photo: Luca Guadagnini
thingsentangling_mottokyo
Asako Iwama, Pinocchio, detail 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Asako Iwama, Pinocchio, detail 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Yukihisa Isobe, Personal Landscape, 2000-01 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Yukihisa Isobe, Investigation for Japan National Land Agency: Osaka bay area, 1976 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Yukihisa Isobe, Wind Direction Undefinable, 1998 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Kapwani Kiwanga, Rumors That Maji Was a Lie…, 2014 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Kapwani Kiwanga, Rumors That Maji Was a Lie…, detail 2014 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Dale Harding with Hayley Matthew, Know them in correct judgement – Gami, 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
The Propeller Group and Superflex, FADE IN: EXT. STORAGE – CU CHI – DAY, 2010  Collection of KADIST Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Hikaru Fujii, The Anatomy Classroom, 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo Photo: Kenji Takahashi
thingsentangling_mottokyo
Hikaru Fujii, The Anatomy Classroom, (video) 2020 Installation views of “Things Entangling, a collaboration between MOT and KADIST”, 2020, Museum of Contemporary Art Tokyo

Are you an artist, architect, designer? Would you like to be featured on ITSLIQUID platform? Send an e-mail to info@itsliquid.com or fill the form below

RELATED POSTS


Xie Nanxing, Adverb High Command

Art | May 25, 2022

Petzel Gallery is pleased to announce Adverb High Command, Xie Nanxing's first exhibition with the gallery and his first solo show in New York, on view from May 6 until June 25. Read more


BURN SHINE FLY

Art | May 24, 2022

The sculptures in 'burn shine fly' aims to engender an altogether contemporary version of the sublime, one in which the smallest candle sculpture is of no less consequence than the overarching totality of the sun sculpture or the stellar marriage of the earthbound body with the waterfilled sky. Read more


JOSH SPERLING DAYDREAM

Art | May 23, 2022

Perrotin is pleased to present Daydream, a solo exhibition by artist Josh Sperling, organized across three floors of the gallery's New York space, and on view April 28th through June 11th. The exhibition, Sperling's largest, marks a return to key motifs in the artist's practice, developed over the course of the last decade and re-articulated by Sperling in this new body of work. Read more


LONDON CALLING

Art | May 2, 2022

From 17 March to 17 July 2022, Rome's Palazzo Cipolla hosts one of the most unique contem- porary art exhibitions ever held in Italy. "London Calling: British Contemporary Art Today, From David Hockney to Idris Khan" is an exhibition of more than thirty works by thirteen great British artists from multiple generations, for whom London has played a pivotal role in their artistic careers. Read more


Sign up for our Newsletter.

Enter your email to receive our latest updates!