Yayoi Kusama – LOVE IS CALLING
ICA, Boston
September 24, 2019 – February 07, 2021

ICA announces exhibition dates of recently acquired Infinity Mirror Room by Yayoi Kusama and new collection presentation. A new anchor in the ICA collection, LOVE IS CALLING goes on view September 24, 2019. The Institute of Contemporary Art/Boston (ICA) opens Yayoi Kusama’s LOVE IS CALLING (2013) to the public on September 24, announced Jill Medvedow, the ICA’s Ellen Matilda Poss Director. Recently acquired by the ICA, LOVE IS CALLING is the largest and among the most immersive of the artist’s existing Infinity Mirror Rooms. A focused presentation drawn from the ICA’s collection titled Beyond Infinity: Contemporary Art after Kusama accompanies the Infinity Mirror Room offering audiences insight into Kusama’s influences and her important legacy on contemporary art.

“We are thrilled to share Yayoi Kusama’s groundbreaking work, beloved by audiences around the globe. LOVE IS CALLING offers visitors the opportunity to experience the artist’s notion of the infinite, as well as her public performances that connect personal and political ideas about peace and connectivity”, said Medvedow. “Yayoi Kusama has indelibly shaped some of the most important art movements of the twentieth century, including Minimalism, Pop art, and feminist and performance art. LOVE IS CALLING encompasses many aspects of Kusama’s unique visual language, including mirrored architectural space, brilliant color, signature polka dots, and the illusion of infinity”, said Eva Respini, the ICA’s Barbara Lee Chief Curator.

“Beyond Infinity, the 14th annual presentation of the ICA collection, considers how Kusama’s prescient artistic practice, including her feminist voice and experiments with form and environment, has shaped contemporary art in unique ways”. LOVE IS CALLING has been acquired through the generosity of Barbara Lee, The Barbara Lee Collection of Art by Women, Fotene and Tom Coté, Hilary and Geoffrey Grove, Vivien and Alan Hassenfeld, Jodi and Hal Hess, Barbara H. Lloyd, and an anonymous donor. Yayoi Kusama (b. 1929, Matsumoto, Japan) is one of today’s most recognized and celebrated artists. In addition to her widely popular Infinity Mirror Rooms, Kusama creates vibrant paintings, works on paper, and sculpture with abstract imagery.

LOVE IS CALLING features vividly colored, tentacle-like, inflatable sculptures covered with the artist’s signature polka dots and encased in a dark mirrored room to creat an illusion of infinite space. As visitors walk throughout the installation, a sound recording of Kusama reciting a love poem in Japanese plays continuously. Written by the artist, the poem’s title translates to Residing in a Castle of Shed Tears in English. Exploring enduring themes including life and death, the poem poignantly expresses Kusama’s hope to spread a universal message of love through her art. The largest of Kusama’s existing Infinity Mirror Rooms, LOVE IS CALLING is the first one held in the permanent collection of a New England museum. In 1966, the ICA exhibited an Infinity Mirror Room, now titled Endless Love Show, in the exhibition Multiplicity; the museum also owns a 1953 drawing by the artist. LOVE IS CALLING is organized by Eva Respini, Barbara Lee Chief Curator.

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